Heinrich Schütz (1585-1672)
The story of the false servant is not, on the surface, a likely candidate for musical setting. In "Du Schalksknecht," Schütz uses six low instruments to accompany the high tenor. He achieves a groveling and murky sonority perfect for the perfidious servant. Notice how subtly the big climax at the end is achieved by means of tightening the screws of the counterpoint.
©John Harbison