Heinrich Schütz (1585-1672)
This motet comes from Schütz’s second book of Sacred Symphonies. Scored for two violins, two voices and continuo, the piece is a marvel of subtle response to text. The text painting can be locally specific - such as the very low register on the word "sterben" [die] - but what is more remarkable is the integration of seemingly contradictory tones into a cohesive whole. The humble and fervent quality of the text is musically elevated to an experience both mystical and ecstatic.
© Michael Beattie